Plasmonika

Sphere3 Plasmonika
Plastic, 3D printed objects, custom-made electronics, LED lights, plexiglass, plasma-treated water, metal, virtual reality art installation or video work
Installation was commissioned by Finetuned Limited (curator Julian Weaver) and EUROfusion
3D graphics, world building, digital sculptures: Tanja Vujinović
Sound: LUZ1E and Mihajlo Đorović
Executive production: Tanja Vujinović, Jan Kušej
Produced by Ultramono, 2020

Consulting
Jan Kušej, Ultramono Institute
Dr Jelena Guga, researcher
Julian Weaver, artist and curator, Finetuned Limited
Dr Gregor Primc, Department of Surface Engineering, Jožef Stefan Institute
Dr Rok Zaplotnik, Department of Surface Engineering, Jožef Stefan Institute
Dr Zoran Lj. Petrović, Institute of Physics, University of Belgrade
Arijana Filipić, Department of Biotechnology and Systems Biology, National Institute of Biology
Dr Saša Novak, Department of Nanostructured materials, Jožef Stefan Institute

Plasmonika is a synthetic well and an energy generator. This art installation is derived from the collective imagination surrounding technology while being inspired with scientific research of fusion physics. It is a principal element of AvantGarden Sphere3, an environment of the possible, the actual, and their mutual interplay.

Today, we face the urgent need to provide sufficient amounts of clean energy for both the growing population and industry. Fusion energy might be the real solution to many ailments of contemporary societies and a solution to many issues the human race is dealing with. Climate change, air pollution detrimental to human health and environmental damage are just a few among many crucial issues that might be addressed with meeting our energy needs through broad implementation of nuclear fusion energy generation.

The Plasmonika object implies the necessity for a dialogue about future energy production. To some, fusion energy production may still seem like a futuristic dream. To others, this idea might instill a discomfort of the “technological sublime” or skepticism about seemingly unreachable goals.

The installation opens up a space for conceptual thought about the world of tomorrow in which our needs are met through technological processes with less negative impact and more in tune with the planet and human health. Through Plasmonika, we are invited to freely imagine such achievements for the future and envision how powerful ideas that may sound like science fiction can come to life.

Central fountain within the installation’s virtual world, as a futuristic construction, is imagined in a way that one of its elements produces energy through the implementation of plasma while plasma-treated water runs through the system. It enables us to dream about easier access to energy and meditate on potential future uses of plasma.

The Plasmonika object itself also refers to the Rod of Asclepius, a motive appearing throughout contemporary culture, art history and mythology as a universal symbol of health. Inspired by the rod of Asclepius adorned with the medical serpent, the object accentuates the necessary precision in controlling the technologies we develop and implement. As with any other “medicament”, the dosage and treatment determine the benefits and risks. In most areas of applied technology a similar rule can remind us that the technology itself is not a threat, but a powerful tool in our hands.

Plasmonika


Sphere3 Plasmonika
Plastic, 3D printed objects, custom-made electronics, LED lights, plexiglass, plasma-treated water, metal, virtual reality art installation or video work
Installation was commissioned by Finetuned Limited (curator Julian Weaver) and EUROfusion
3D graphics, world building, digital sculptures: Tanja Vujinović
Sound: LUZ1E and Mihajlo Đorović
Executive production: Tanja Vujinović, Jan Kušej
Produced by Ultramono, 2020

Consulting
Jan Kušej, Ultramono Institute
Dr Jelena Guga, researcher
Julian Weaver, artist and curator, Finetuned Limited
Dr Gregor Primc, Department of Surface Engineering, Jožef Stefan Institute
Dr Rok Zaplotnik, Department of Surface Engineering, Jožef Stefan Institute
Dr Zoran Lj. Petrović, Institute of Physics, University of Belgrade
Arijana Filipić, Department of Biotechnology and Systems Biology, National Institute of Biology
Dr Saša Novak, Department of Nanostructured materials, Jožef Stefan Institute

Plasmonika is a synthetic well and an energy generator. This art installation is derived from the collective imagination surrounding technology while being inspired with scientific research of fusion physics. It is a principal element of AvantGarden Sphere3, an environment of the possible, the actual, and their mutual interplay.

Today, we face the urgent need to provide sufficient amounts of clean energy for both the growing population and industry. Fusion energy might be the real solution to many ailments of contemporary societies and a solution to many issues the human race is dealing with. Climate change, air pollution detrimental to human health and environmental damage are just a few among many crucial issues that might be addressed with meeting our energy needs through broad implementation of nuclear fusion energy generation.

The Plasmonika object implies the necessity for a dialogue about future energy production. To some, fusion energy production may still seem like a futuristic dream. To others, this idea might instill a discomfort of the “technological sublime” or skepticism about seemingly unreachable goals.

The installation opens up a space for conceptual thought about the world of tomorrow in which our needs are met through technological processes with less negative impact and more in tune with the planet and human health. Through Plasmonika, we are invited to freely imagine such achievements for the future and envision how powerful ideas that may sound like science fiction can come to life.

Central fountain within the installation’s virtual world, as a futuristic construction, is imagined in a way that one of its elements produces energy through the implementation of plasma while plasma-treated water runs through the system. It enables us to dream about easier access to energy and meditate on potential future uses of plasma.

The Plasmonika object itself also refers to the Rod of Asclepius, a motive appearing throughout contemporary culture, art history and mythology as a universal symbol of health. Inspired by the rod of Asclepius adorned with the medical serpent, the object accentuates the necessary precision in controlling the technologies we develop and implement. As with any other “medicament”, the dosage and treatment determine the benefits and risks. In most areas of applied technology a similar rule can remind us that the technology itself is not a threat, but a powerful tool in our hands.

References

 

Bailey, Lee Worth. 2005. The Enchantments of Technology. University of Illinois Press.
Benyus, Janine M. Biomimicry Innovation Inspired by Nature. HarperCollins, 1997.
Evropska komisija, Generalni direktorat za raziskave, and Raziskave fuzijske energije. Raziskave fuzije: energija za prihodnost Evrope. Luksemburg: Urad za uradne publikacije Evropske skupnosti, 2005.
ITER. “Cooling Water.” Accessed March 29, 2020. http://www.iter.org/mach/coolingwater.

ITER. “Fuelling the Fusion Reaction.” Accessed March 29, 2020. http://www.iter.org/sci/fusionfuels.
Nuclear Fusion: Revolutionary New Breakthrough. Accessed March 29, 2020. https://www.youtube.com/watch?v=OlGzt9ur1bY.

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