Oscilorama is a multi-part installation composed of a custom surveillance balloon in public space, soft sculptural objects in a gallery, and a real-time data processing system. The balloon-mounted camera captures live footage, which is transmitted, analyzed, and transformed into audio-visual streams within the exhibition space. The gallery-based textile forms—hybrid creatures merging anthropomorphic and zoomorphic features—emit fragments of this sound through embedded speakers. Each object includes a technological implant, evoking the hidden presence of AI agents that monitor and shape our environment. Oscilorama explores our passive acceptance of surveillance and the aesthetic integration of data flows into everyday life.

Blipstat is an audio-visual installation based on real-time meteorological and oceanographic data collected by the Marine Biology Station Piran. The data is streamed into two computers and processed into immersive sound and visuals within the gallery. Two robotic fish swim in separate tanks, with hydrophones capturing their movement-generated sounds as part of the composition. The work explores how the Internet of Things and planetary sensing systems track organic and inorganic life—humans, animals, plants, and weather—across vast, often invisible networks. Blipstat reveals the eerie beauty and complexity of environmental data while questioning the purposes for which such information is collected.